You either love wrinkle paint or you put up with it hoping that a machine in shiny black comes your way. I happen to love the finish. It's very rugged, hides a myriad of metalwork sins, and can come in some very sober and serious colors. As great as I think this paint is, it is a magnet for dirt, grime, and crud. Dirt invariably make its way into the wrinkles and makes your typewriter look tired and grungy. However, the innate ruggedness of the paint makes it easy to clean. This is the process I use. Your mileage may vary. To start with you need some simple supplies. A couple of soft cloths, a small Tupperware container, a household laundry detergent without dyes or perfume, an old toothbrush, a utility spray bottle, and a blue Olympia SM3 (or whatever you happen to have). As with the other How-To, I recommend you dust/wet-dust your typewriter first. It takes a minute and "Water is the best solvent."
This process assumes that your typewriter is clean on the inside. There …
When the Olympia arrived in the mail, I immediately wanted one for myself. I began the process of looking for a light blue SM3. Surprisingly, I was able to to find one here in Phoenix in an identical color. It really is a very attractive typewriter. I thought this was, perhaps one of the most beautiful typewriters in the world. The color is blue like a summer sky. The chrome shines even on the grayest of days. The gentle lines are at once playful and very serious. It is a joy to look at.
But as lovely as the Olympia is, there's only one typewriter that I think truly deserves the moniker of "The Most Beautiful Typewriter" and that is the Olivetti Studio 42 designed in 1935. I know many will disagree with me. I would love to hear the disagreements.
I do not have an Olivetti Studio 42, but I dream of owning one. If I found this machine (in good condition) I would stop collecting. It's that special.
To assist in proving that the Olivetti Studio 42 is "The Most Beaut…
A few months ago a friend gave me an old set of Ilford multigrade filters he used in college. He thought I would get some use out of them in my home darkroom. It's nice to have this set. They are good for a couple of really cool contrast techniques in darkroom printing on multigrade paper. It can really save your bacon with a difficult print.
I wanted to also use these filters with my pinhole camera and multigrade paper. The contrast with the paper negatives can be a little extreme and these filters can tame contrast. However, my filters can't easily be taped to the front of the camera. I had to devise a method to hold them.
The 3 inch filters are designed to go under the lens on a darkroom enlarger. Each filter is mounted in a plastic holder that slides into a corresponding mount attached to the enlarger. I pulled out my calipers, did a little measuaring, and crafted a design in Tinkercad. A hours later and I had this design:
I decided to print it in two pieces on my Monopric…